Years ago I read Chimamanda Ngozi Adichie's Americanah, about a Nigerian woman who comes to study in the U.S, while the love of her life is unable to join her after they have both left military-ruled Nigeria. In Dream Count, Adichie tells the story of four very different but connected women, and the things that move them forwards, as well as the events that threaten the life they wish to build.
The Situation: As a Nigerian travel writer living in the U.S, Chiamaka (or Chia) is able to provide a different viewpoint than what is usually offered in magazines and websites on places like Moscow, Santiago, and Sydney. During the height of the pandemic, she begins to recount her travels, and ups and downs of her love life, while making sure to check in with friends and family, many of which wish she would take on a more 'serious' vocation. Zikora, Chia's best friend, is a successful lawyer, but is also desperate to find someone to start a family with before it is too late. Chia's cousin Omelogor is a financial powerhouse in Nigeria, happily single and comfortable with being a woman in a man's occupation. And Chia's housekeeper, Kadiatou, has found stability for herself and her daughter in the U.S, though the path to get there was long and difficult.
The Problem: As Chia tells of her travels and her past boyfriends, she has to confront what exactly went wrong with each of them, and what part she played in the doomed relationships; her friend Zikora has found herself in a situation she never thought possible; and Omelogor has been confronted with a harsh question about the life she has built for herself. Despite their own separate struggles, each woman manages to rally around Kadiatou when an unthinkable event threatens to take away everything she has accomplished, leaving her feeling exposed and ashamed and unsure of her future.
Genre, Themes, History: This is a work of fiction set before, during, and immediately after the height of the pandemic, in locations all over the world, but mostly the east coast of the U.S, and many locations around Nigeria. Each of the four characters have several chapters devoted to their story, though most of the focus is given to Chia. While her and Omelogor's chapters are told in first-person, both Zikora and Kadiatou's story are told by a third-person narrator. All four stories center around love and relationships, and what it is like being a Nigerian woman in various places all around the world.
My Verdict: It is still a strange thing to me to read a novel with events that take place during lockdown, even though I also lived it and went through it myself. It is the isolation of lockdown that causes Chia to be retrospective and think about her past relationships and where (and why) they went wrong, and this is something I am sure many people can relate to. For those who had a difficult time remaining positive like Chia, they may see something familiar in Zikora's pessimism and disappointment, or conversely, Omelogor's determination to get on with life and make the most of what it is. And then there are those like Kadiatou who are happy to be where they are, enjoying the balance they have struck between hard work and family. While the ending does leave something to be desired (at least for me), this book is certainly an exploration of relationships and identity.
Favorite Moment: I enjoyed reading about Chia's travel and her experiences in certain cities as a Black woman.
Favorite Character: Each of the four main characters has a few traits that were difficult for me to get past...traits that would have made it hard for me to sit and have a conversation with them without finding an excuse to get up and leave. I enjoyed Chia's almost dreamy and naive optimism, and Omelogor's honesty and no-nonsense attitude, but I am not sure I can pick a favorite.
Recommended Reading: Nikki May's This Motherless Land is a great read and would serve well as a follow-up to this book.
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