Door Stop Novels
Friday, May 1, 2026
Young Adult Fiction: A Stage Set for Villains by Shannon J. Spann
Friday, April 24, 2026
Historical Fiction: Keeper of Lost Children by Sadeqa Johnson
This year has already had a lot to offer when it comes to historical fiction, but I went ahead and decided on Sadeqa Johnson's Keeper of Lost Children for my next selection. The book follows the story of three different people, whose lives all center around occupied Germany in the 1950s. Decisions are made that will change all three lives forever, leading to an incredible story about love and identity.
The Situation: In 1965 Maryland, young Sophia Clark is worked to the bone on her parents' farm, and cannot imagine a life beyond it. But everything changes seemingly overnight when she finds out she is the recipient of a scholarship that allows her to attend the prestigious, formerly all-white West Oak Forest Academy. Sophia may not feel like she fits in at the fancy boarding school, but she never truly felt like she fit in on the farm either. And after a chance conversation with a fellow student, she is set on the path to find out why, and what she discovers changes everything she thought she knew about herself.
The Problem: In 1950s Germany, Ethel Gathers finally feels like she has a purpose, and it involves a local orphanage full of children with American GI fathers and German mothers. Unable to have children of her own, Ethel puts all of her effort in making sure these children are cared for, even doing what she can to have them adopted into loving families in the U.S, despite the road block that is German bureaucracy. Meanwhile, Ozzie is stationed in Manheim, having left the racism back home in Philadelphia only to be faced with racism abroad, though he does find solace in a relationship with a young German woman. The lives of Sophia, Ethel, and Ozzie will interconnect in a way none of them ever imagined, as surprise discoveries and buried secrets reveal a fascinating story.
Genre, Themes, History: This book is a work of historical fiction set between the years of 1948 to 1968. In 1948, Ozzie begins his assignment in Germany, while in 1950, Ethel first takes notice of the orphanage housing the mixed-race children born to Black American GIs and German women. In 1965, Sophia is given the chance to attend an elite boarding school, which is the beginning of her own journey of self-discovery and identity. The chapters are all told by a third-person narrator, but switch focus between the three different characters. A picture is drawn of what racial dynamics were like in both the U.S. and Germany immediately following the de-segregation of some schools and even the army.
My Verdict: I always wonder how a narrative will play out when the focus changes between different characters, much less characters in different locations and time periods. But Johnson manages to get it done and craft a story that is not only interesting, but it is the kind of subject that can cause a reader to want to learn more. The story gives a face and history (though fictional) to a fairly common occurrence that few know about. The characters are well thought-out, and every moment and interaction seems carefully planned to lead to the overall discovery. Historical fiction lovers will surely appreciate this story of family and love.
Favorite Moment: Sophia's mother, Ma Deary, is not exactly the lovey, motherly type. Her main communication with her children involves giving them orders around the farm. But despite her wrath being a source of fear most of Sophia's life, the young girl does eventually stand up to her.
Favorite Character: Ethel does the impossible for the children at the orphanage, in a time when most were content to only do enough to take care of themselves.
Recommended Reading: I recommend The Storm We Made by Vanessa Chan.
Friday, April 17, 2026
Contemporary Fiction: The Astral Library by Kate Quinn
Friday, April 10, 2026
Science Fiction: Operation Bounce House by Matt Dinniman
Friday, April 3, 2026
Contemporary Fiction: The Elsewhere Express by Samantha Sotto Yambao
After reading last year's Water Moon by Samantha Sotto Yambao, I looked forward to what would come next from the author. And when I first caught sight of the cover art for The Elsewhere Express, I was thrilled to see that it would seemingly involve trains. Combining the author's imagination with my favorite mode of transportation seemed like a dream come true, and I could not wait to dive in.
The Situation: Raya was born to fulfill a very specific purpose, but when her brother died, that purpose seemingly went with him, along with her dream of being a songwriter. Now she is barreling her way through medical school, surviving on all of the junk food she was not allowed to have as a child. Q is a celebrated artist still angry and grieving over the tragic death of his father. And if life had not already been cruel enough, he is losing his sight, which means his artistic career is nearly over. While strangers in life, Raya and Q will each find themselves swept aboard the Elsewhere Express, a train full of impossible scenes, and cryptic instructions.
The Problem: According to the conductor, the passengers that find themselves aboard the Elsewhere Express are souls adrift without a clear purpose. Raya is immediately intent on finding a way off the train, while Q believes he would like to stay. After all, on the Elsewhere Express, Q is able to see again, and would rather live in this reality than the one he has left behind. But while the train may have a pharmacist that can concoct a tonic that will make people forget painful memories; and a boarding car that resembles a meadow; and compartments that are personalized to the inhabitant; it also has secrets. And it seems a danger has followed Raya and Q onboard, threatening the peace and safety of the train.
Genre, Themes, History: This novel is a work of fiction with the action taking place mostly onboard the Elsewhere Express, a train that never stops moving, and picks up people who feel they have no purpose in their lives. Every train car is different, with few of them even resembling train cars as we know them. Raya may have lost her sense of purpose after her brother died, but she is not interested in staying on the Elsewhere Express. But Q is an artist who is losing his sight, and the Elsewhere Express has allowed him to see again. He cannot imagine returning to a life where that is not true. The novel deals with grief and searching and longing, while also playing with the nature of time and movement.
My Verdict: I love trains, so the book already had major points in its favor. And the Elsewhere Express is a mystical train where it seems nearly anything is possible, and each car contains a different wonder that must be explained. While the grief that Raya and Q are experiencing is relatable and heartbreaking, the constant wonders and fantastic experiences that can be found aboard the train only served to make the story less and less interesting. There was little time allowed to become invested in each new thing, and the ongoing changes only caused me to feel lost, before I eventually gave up attempting to follow the narrative thread.
Favorite Moment: Each chapter of the book begins with what is said to be a frequently asked question from "The Elsewhere Express Passenger Handbook" and I thought it was an incredibly clever way to title the chapters and introduce what they might include.
Favorite Character: Rasmus is a large man who has been onboard the train for a long time, and even has other versions of himself wandering around in it.
Recommended Reading: I recommend the author's previous novel, Water Moon.
Friday, March 27, 2026
Nonfiction: The Flower Bearers by Rachel Eliza Griffiths
It was the description on the book jacket that got me on this one, as well as the fact that the author is the fifth wife of famous writer Salman Rushdie. I was in search of a "serious" memoir, and Rachel Eliza Griffiths' The Flower Bearers would prove to fulfil the purpose.
Genre, Themes, History: This is a nonfiction book written by poet and visual artist Rachel Eliza Griffiths. It is a memoir that focuses most specifically on her relationship with her best friend, poet Kamilah Aisha Moon, who passed away suddenly on the day of Griffith's wedding to author Salman Rushdie. Less than a year later, Rushdie would be brutally attacked while speaking at an event, nearly losing his life after being stabbed multiple times. Griffith's book is about the two momentous events, and so much more, including the pandemic, the death of her mother, and her mental health struggles in the midst of all of it.
My Verdict: I admire any author who is able to pack so much life and story and introspection into less than 350 pages. Not only does Griffith talk about her relationship with and the death of Moon, as well as her marriage to Rushdie, but she examines her childhood with the mother that would not live to see the wedding, and discusses in depth her own experience with dissociative identity disorder. In a book that talks about being the fifth wife of a famous author, and the grisly attempt on his life, it is strange how that is not even the most interesting part of the book. Plus, there is Griffith's own writing and poetry that is discussed, as well as Moon's. It is a stunning memoir that is surprisingly easy to read, given the content, while also being heartbreaking, and ultimately quite joyful.
Favorite Moment: I enjoyed reading about Griffiths' time in college, in particular her years at Sarah Lawrence with Moon.
Recommended Reading: I recommend Alice Walker's In Search of Our Mothers' Gardens, as Walker was a favorite author of Moon's.






