After learning that Isabel Allende's The House of the Spirits was actually the third book in what has been labeled as the Involuntary Trilogy (or Trilogía Involuntaria), I knew that I had to eventually read the other two books. Having read the third book first, I picked up the first book, Daughter of Fortune, which was actually published second. Oftentimes, reading books in the order they were published as opposed to the intended order can be enlightening in its own way, and I am personally fascinated by the idea of an 'involuntary' trilogy.
The Situation: Eliza Sommers is somehow both the doted on and neglected adopted daughter of the fiercely and stubbornly independent Rose Sommers. The story has been told many times of how Eliza was quite literally left on the doorstep of the wealthy English family living in the British colony of Valparaíso, Chile. While Rose's strict and unforgiving brother Jeremy would be more than happy to have nothing to do with the girl, Rose could not be more thrilled to have Eliza in her care, though she often ignores her to pursue her own interests, leaving her in the care of the housemaid, Mama Fresia. Living with the Sommers may mean a life of corsets and strict rules, but it may be the only way Eliza can secure a stable future and husband.
The Problem: It is in 1848 when a teenage Eliza falls in love with a man she knows very well her adoptive mother will never approve of. But she is so immediately overtaken with the emotion that she does everything she can to meet with the boy in secret, which begins a months long affair that only ends when the young man decides to leave for California, just as many others are doing after the discovery of gold in that area. When Eliza plans to follow, she knows it will be tough since Miss Rose's other brother, John, is a well-known captain, and keeping the appearance of a young unaccompanied girl on a ship setting sail for the U.S. is near impossible. But thankfully for Eliza, she is able to employ the help of a Chinese doctor who will unknowingly become a lifelong friend.
Genre, Themes, History: This is a historical fiction novel set both in Valparaíso, Chile and California in the mid-1800s. Starting in Chile in 1843, the reader follows Eliza's story as it is told by Rose and Mama Fresia, but then moves into Eliza's adolescence when she meets her young lover Joaquín, a relationship that will set the course for the rest of her life. With a page count just shy of 500, many social issues are discussed, such as the English presence in Chile; the racism that exists both in Chile and in California as the gold rush attracts all colors and classes; the opportunities (or lack thereof) that are available to all woman, both married and single; what life is like for the different genders, colors, and classes as they make the long journey by boat from South to North America; and even the issue of human trafficking.
My Verdict: Just as with The House of the Spirits, I love the lyrical style of the prose in this book. The story moves and flows at the pace of the most relaxing lazy river, even in the areas where the plot has hit a tense point or moment, or when a character must make a decision or take action quickly, with no guarantee of being correct either way. If there is any disappointment I have in this book it is simply in the choices of Eliza, and knowing that her obsession over Joaquín will alter her life indefinitely, and probably not for the better. Having read The House of the Spirits, and now only needing to read Portrait in Sepia, I am eager to learn even more about the Del Valle family.
Favorite Moment: Though I am not a fan of the actual action, I do enjoy how easily Eliza was able to evade Rose, proving that the girl's adoptive mother was not as invested in playing the maternal role as she liked to believe.
Favorite Character: Paulina Rodriguez de Santa Cruz y del Valle is a woman who manages to do exactly what she wants, even earning her own money (and a lot of it), while still getting married and raising a family.
Recommended Reading: I will always recommend Gabriel García Márquez's One Hundred Years of Solitude.